Of course, many viewers might remember the Don’t mess with mama bear shirt Also,I will get this pre–social media Oscars, but now that celebrities can get in on the game with, say, obligatory group selfies, they’re not likely to stop showing us what’s going on behind the scenes anytime soon. The 2020 awards season came to a close last night, as Hollywood’s finest gathered for the 92nd annual Academy Awards. But now that the statuettes have been distributed and the red carpet rolled up, beauty junkies worldwide inevitably have some burning questions: What was the exact shade of blue-red lipstick that accompanied Margot Robbie down the steps and repeat? How did Laura Dern decide on that flawless beige-taupe nail color that paired perfectly with her new Oscar? Thankfully, we’ve got some answers: Here, the skilled experts behind the boldest red carpet looks reveal the top products used on their clients for the 2020 Oscars. Beauty risk-taker Lucy Boynton knows how to work a red carpet, which is why the actor called upon her talented makeup artist, Jo Baker, for her second Oscars. To create Boynton’s fresh flush, the pro applied Chanel’s Rose Petale Blush on the cheeks and brushed the remaining powder onto her lids. “It’s a really great trick to have a harmonious look that ties everything together,” Baker noted. “For anyone in a hurry or anyone intimidated by eye makeup.” Penélope loves the glamour and makeup looks of the ’90s,” explained celebrity makeup artist Hung Vanngo. “So we decided to [enhance] her beautiful eyes and lips using smoky bronze shades and a defined salmon-y lip color.” To define her eyes, Vanngo applied a few coats of Lancôme’s iconic Hypnôse Drama Mascara for fluttery lashes that completed the look. To match Margot Robbie’s epic vintage black Chanel dress, Pati Dubroff created the ultimate bold red matte pout. “I wanted to make a slight nod to Old Hollywood while still bringing a ’90s cool-girl aesthetic,” she said. The method required a three-step process: First, the pro applied a cherry-hued stain as a base, then she lined Robbie’s pout with a similarly colored pencil. And for the pièce de résistance, Dubroff swiped on Chanel’s Rouge Allure Velvet in Idéal and “spent time defining and perfecting the shape.” Makeup artist Lisa Storey paid extra attention to Natalie Portman’s iconic brows in order to perfectly frame her glowing complexion. “I overdrew the brows and filled the inner edge to create a fuller brow,” she explained. “Then, I brushed on the Diorshow Pump ’N’ Brow in Black, which gave a full, but natural look.”
Don’t mess with mama bear shirt, hoodie, tank top, sweater and long sleeve t-shirt
When readying for a party that comes after an event as iconic as the Don’t mess with mama bear shirt Also,I will get this Oscars, a look that volleys between on-trend and timeless is an evening mandate. And though the combination of elements can be complicated in the carry-off, a stylized haircut goes a long way in achieving the right amount of relevancy. Case in point: Hailey Bieber,, whose blunt lob offered the perfect jumping-off point to an artful, sleek flip. Bieber’s hairstyle was appropriately statuesque, with her baby blonde lengths combed into a slicked side part, tucked behind ears, and left to fall neatly above shoulders. But along with the not-a-hair-astray texture, the impact came courtesy of the ends, which winged subtly outward for an extra wash of glamour. A bronzed glow, an overlined nude lip, and a smoked wing of eyeshadow teamed with diamond drop earrings for a well-practiced era-defining beauty moment that played well with Bieber’s standout mane. Considering a shift at length-level? A blunt cut gets points for contemporary versatility. A chemist for one of the biggest designer cosmetic brands in the world—I won’t say what the brand was, but you know it—called me to come in years ago, and I thought, Oh my God, this is huge,” recalls Rose-Marie Swift, makeup artist and founder of RMS Beauty. Their meeting started the usual way. Hi, how are you, I love what you’re doing. The chemist complimented Swift’s product formulations (all-natural, organic) the way only a chemist can. “Then he said, ‘The cosmetic industry is destroying women’s cells.’” She takes a beat. “Cells. C-e-l-l-s.” I’ve listened to Swift tell this story three times now. Once over the phone, once at her home in Savannah, and once in the opening scenes of Toxic Beauty, a new documentary from filmmaker Phyllis Ellis, released today on Amazon and Apple TV. Each time, her signature bare face and bold lips animate as if it were the first telling, her voice rising and falling and pausing for dramatic effect. My mouth fell open,” she continues, “and I said, ‘Why don’t you say something?’ And you know what he said? He said, ‘I can’t.’ It’s a powerful start for the award-winning Toxic Beauty, which condenses a three-year investigation of the virtually unregulated chemicals in personal-care products into 90 thoughtful, thought-provoking minutes. Many will find it shocking, though Swift does not. This is a subject she knows personally.