It was no doubt surreal for Snyder to take over the It’s a Seahawks and wine kinda day shirt and I love this space he helped create a decade ago. He covered the massive bar, walls, and ceiling with a high-gloss sage paint; added a coffered ceiling; installed more lights; and filled every nook and cranny with mid-century furniture, cases of vintage watches, and coffee-table books. Like J.Crew, his assortment is accessible, ranging from nicely priced Todd Snyder x Champion hoodies to luxe suede trucker jackets and bespoke suits. The aesthetic isn’t so different either, though Snyder’s is understandably a bit more sartorial and boundary-pushing. It’s easy to imagine guys who wore J.Crew in their 20s—and have spent enough time in New York to elevate their style a bit wanting to invest in Todd Snyder in their 30s. While he put the finishing touches on the shop, Snyder took a break from the Spring 2020 men’s shows. Instead, he photographed a lookbook inspired by ’70s-era tennis greats like Björn Borg and Guillermo Vilas. He joked that they were the original “bad boy” athletes, despite their cute little tennis shorts. Spring borrowed from their fine-knit polos, louche tracksuits, and terrycloth shorts, plus leisure suits i.e., matching camp shirts and shorts) and ’50s-era bowling shirts. Much like Borg’s style a blend of preppy tennis gear and bohemian stuff, like flared jeans and jewelry Snyder wanted it all to feel like a mix of thrift store finds, with multiple decades and influences represented. That’s how most men and women dress these days, anyway, even if they’re not conscious of it. Tailoring is a strength for Snyder the back room of the Liquor Store is dedicated to suits, and he’s starting a bespoke program later this year and for Spring, he introduced new, vaguely feminine colors and interesting textures.
It’s a Seahawks and wine kinda day shirt, hoodie, tank top, sweater and long sleeve t-shirt
If the It’s a Seahawks and wine kinda day shirt and I love this term seersucker suit makes you cringe, Snyder’s solid mauve version will easily change your mind; in fact, you may not even recognize it as seersucker. Without the usual country club stripes, it has a great, crumbly texture, and is light and crisp enough to wear in August. Snyder even made a black seersucker tuxedo, with the lapels and waistband in lustrous satin. A particularly irreverent groom might wear it to his wedding as it was styled here: with Birkenstock sandals. Titled The Ride, Tod’s Spring collection revolved around the idea of dynamism, speed, and movement, taking elements from the world of travel streamlined to a minimalist approach, suggesting urban velocity without any literal references. A sense of lightness was underlined throughout, with featherweight leather taking center stage and technical sporty fabrics treated with agility and ease. A new version of the leather biker was the collection’s pièce de résistance, cut lean and sleek, with a double-striped motif in contrasting colors running on the sides in keeping with Tod’s recurring signature graphics. A utilitarian approach was there in a technical multi-pocketed vest and field jackets; a safari jacket and a soft suede car coat in earth tones introduced a feel of far-away, exotic landscapes. Playing on contrasts, a more tailored offering provided an alternative to the collection’s overall sporty vibe, introducing an elegant urban feel with a playful preppy touch. Checkered jacquard was used as an all-over motif for a three-piece city ensemble of matching blazer, pants, and duster. Suits were cut with a regular fit and classic proportions, the most covetable being an indigo mixed-wool double-breasted example mimicking a denim texture. A new sneaker capsule kept Tod’s shoe selection up-to-date, while the famous Gommino was given a new lease of life with a wrap-around rubber shell enveloping the super-soft loafer. In the macroeconomy, we have spent, of a certain amount, creating income for the recipients of that spending in the same amount. This is gross income, as we are including all transfers of ownership of money for a purpose. And the accounting of this spending does not describe in any way shape or form any change in the level of wealth since all it describes is wealth in the form of money having its ownership be transferred from one person or entity to another. And we have added another element to the definition of the savings I am calling “net production” that does describe changes in type and amounts of wealth.